Yet Let Go stands separately, and has even been seen as changing the pop/rock-punk music scene, particularly in helping rise of female-driven pop-punk bands. Even Entertainment Weekly described her as the “anti-Britney” in November 2002, a statement with which Lavigne did not agree.įor this debut Lavigne was musically inspired by artists of vastly different genres, from Shania Twain and the Dixie Chicks, to blink-182 and Marilyn Manson, to the Ramones and Nirvana. I also believe that it was incredibly important in capturing the attention of angsty pre-teens who hadn’t bought into the pop-craze of Steps and Britney Spears, yet were too young for ‘proper’ rock music. As an owner of this record - my first ever music album, no less - I have a tender spot for Let Go in my heart. The result pairs Keys N Krates' meticulous dance construction with Pimienta's warmth and power - a winning combination that makes us beg for more.That’s right, it’s been 15 years since a teenage Avril Lavigne released her debut album, topping charts in the UK, Canada, Australia and Argentina, amongst others.
Flo told Complex, "and having her sing over an emotional dance track was something new." That epic scale is played with here as Keys N Krates allow Pimienta to do her own thing on the verses, while isolating her voice and shaping it like an instrument on the song's breakdown, like helium powering a liftoff. "Lido Pimienta has this incredibly epic voice," member Jr. Pimienta has rarely ventured this far into the dance sphere, but her voice immediately feels at home, soaring among synth swells and heavy rhythms. And while we've already praised some of those collaborations, "Siento Mi Destino" featuring Lido Pimienta may be the best yet. Keys N Krates' latest release, the vibrant Original Classic, features a wide range of guest vocalists including Juicy J, Haviah Mighty and Bibi Bourelly. "100 Years" is great Americana, but even better, Rheaume is continuing to change the canon of what stories that genre tends to tell. Rheaume's voice is a balancing act of strength and vulnerability, cutting right through that welcome, road-weary swing of the guitar and drums. The video perfectly captures the "two roads out of this town" that Rheaume sings of in the opening lines, as she frustratedly and tiredly goes about everyday life in the city while Wright beckons her from the Kitchissippi River. Two videos accompany her release: the first, a short, chilling introduction from Métis rights leader and activist Tony Belcourt detailing the government's erasure of the Métis people, which leads seamlessly into the second, the video for Rheaume's "100 Years," gorgeously filmed on unceded Algonquin Anishinaabeg territory (Ottawa) with director Sean Stiller and performer Sage Wright.
Rising on the land, stirring in the street, Waking from a hundred years of sleep.Īmanda Rheaume's new single, "100 Years," is both an interrogation and uprising, as the Métis singer-songwriter searches for where she fits in the world and demands a space that's been denied for so long. MLĬan you feel the heat, Underneath your feet. With pop-punk finally making more space for diverse voices, thanks to the recent successes of artists like Willow and Olivia Rodrigo, it's only right that our pop-punk princess is back to claim her throne. "You shoulda known better better to f-k with someone like me," Lavigne opens, with a fiery conviction, "Forever and ever you're going to wish I was your wifey." The track, according to Lavigne, is about "a guy wanting a second chance but not giving him the time of day," and her determined delivery, paired with the knockout punch of guitars, stands firm in her decision to move on. Barker, the man behind the blazing hits of Machine Gun Kelly and Willow, admittedly has a signature formula that's grounded in steady drums and distinct guitar riffs, but here, Lavigne brings her own trademark angst to the track.
#Avril lavigne let go album art full
While 2019's Head Above Water was a detour to the top of the Christian rock charts, "Bite Me," her debut single on Travis Barker's DTA Records, is a full return to her pop-punk beginnings. 'Bite Me,' Avril Lavigneīetween the current pop-punk revival and the looming 20-year anniversary of her debut album, Let Go, around the corner, this feels like the perfect time for an Avril Lavigne comeback. What new Canadian tunes are you currently obsessed with? Share them with us on Twitter play on our Songs You Need to Hear stream, filled with songs that CBC Music's producers have chosen for their playlists, and tune into CBC Music Mornings every Thursday to hear CBC Music's Jess Huddleston and Saroja Coelho reveal which of these tracks is the standout new Canadian song. Scroll down to find out why you need to hear them.
This week, we got hooked on new songs from: Each week, CBC Music producers come together to highlight Canada's best new tracks.
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